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UK II   [UK2]  1979 - 1982

The UK II (pronounced and sometimes printed UK2) was made in Moosup, Connecticut from around 1979 to 1982. The print ad below did absolutely nothing to sell this fine musical instrument. This is probably the most overlooked and misunderstood solidbody that Ovation Instruments ever produced. On the surface, there is nothing more than its shape to help it stand out in the crowd. However lets start with that beautiful woodgrain finish. Rather nice for a guitar that has NO WOOD on the body! In fact the body is an aluminium frame surrounded by a lightweight urethane foam called Urelite. For maximum sustain and transference, the neck and the bridge were mounted directly to the aluminium frame. The humbucker pickups (with 10,000 winds!) were especially designed for this guitar to have a higher output than anything on the market at the time and 20bd quieter also. Each pickup had a series/parallel switch so that a player could achieve a single coil sound. The chrome plated, bar style pole pieces used in the pickups were non-magnetic to prevent any pull on the strings which dampens sustain. These bar style pole pieces also provided constant interaction between the strings and the pickups, so that no volume would be lost by string-bending. Even the special volume and tone controls were tapered so that when the volume and tone levels were adjusted the output correspond exactly with the numbers on the knobs.The body cavities were shielded with a non-conductive paint to reduce magnetic interference on stage or in the studio.


Well I disagree that they failed due to a lack of
"It", but rather, the UK II was not as successful as hoped because few people really knew about "It." Most marketing consisted of a lot of "catch phrases" rather than content explaining what the UK II really had to offer. Few people knew enough from the brochures or other print material at that time to give this guitar a chance. It wasn't until the late 90's, long after they "failed," that one could learn in the above mentioned book that there was a lot more to these guitars than meets the eye. Even the Ovation book neglects to mention the connection of the neck, bridge and body which is arguably the heart of this guitar that produces the phenomenal sustain. There has been more useful information posted in 2002 at The Ovation Fan Club than ever appeared in print about this guitar. If any of the above construction information was made readily available and contained in the brochures during this guitars run, the UK II would have been a more popular guitar.

 

 

 

I afraid that I have lost the source of this article. Yours? Please let me know so that I can give credit.

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